{"rdfs:about":"onomy.dartmouth.edu\/published\/90","rdfs:label":"Film Language Glossary","rdfs:comment":"Developed by Columbia School of the Arts. See http:\/\/is.gd\/ColumbiaFLG","version":37,"terms":[{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/28","rdfs:label":"180-Degree Rule","rdfs:comment":"The 180-degree rule of shooting and keeps the camera on one side of the action.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/7"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/29","rdfs:label":"3-D Film","rdfs:comment":"3-D film has a three-dimensional, stereoscopic form, creating the illusion of depth....","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/30","rdfs:label":"Aerial Shot","rdfs:comment":"An aerial shot is typically made from a helicopter or created with miniatures (today, digitally), showing a location from high overhead.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/31","rdfs:label":"Aspect Ratio","rdfs:comment":"Aspect ratio refers to how the image appears on the screen based on how it was shot--the ratio of width (horizontal or top) to height (vertical or side) of a film frame, image, or screen.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/32","rdfs:label":"Black-and-White Film","rdfs:comment":"Black-and-white film contains an emulsion that, when processed, changes colors into various shades of gray.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/33","rdfs:label":"Camera Angle","rdfs:comment":"Camera angle refers to where the camera is placed in relation to the subject of the image.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/34","rdfs:label":"Camera Movement","rdfs:comment":"Camera movement refers to the actual or perceived physical movement of the camera apparatus through space.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/35","rdfs:label":"Canted Angle (Dutch Angle)","rdfs:comment":"A canted angle is when the camera is tilted, usually to suggest imbalance, transition, or instability.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/36","rdfs:label":"Celluloid","rdfs:comment":"Cellulose nitrate was the original transparent material used as a base for film, which was then coated with light-sensitive emulsion.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/37","rdfs:label":"Chiaroscuro","rdfs:comment":"Chiaroscuro refers to strong contrasts between light and dark.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/38","rdfs:label":"Cinema Verit\u00e9","rdfs:comment":"Cinema verit\u00e9 is a French term that means \"true cinema\" or \"cinema truth.\"","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/39","rdfs:label":"Cinematography","rdfs:comment":"Derived from the French word cin\u00e9matographe, cinematography literally means \"writing in movement\" and is generally understood as the art and process of capturing visual images with a camera for cinema.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/40","rdfs:label":"Cinerama","rdfs:comment":"Cinerama is a process of simultaneous filming by three cameras. The cameras are pointed at different angles and are then projected by three synchronized projectors and shown on a curved screen.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/41","rdfs:label":"Circular Pan","rdfs:comment":"A circular pan is a shot in which the camera rotates 360 degrees around a fixed axis.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/42","rdfs:label":"Clapboard (Slateboard)","rdfs:comment":"Before each take, a clapboard appears in front of the camera, with the number of the take written on it.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/43","rdfs:label":"Close-up ","rdfs:comment":"A close-up is a shot in which a person's face fills most of the screen, although the term can also refer to any shot that appears to have been taken at close range (or through a telephoto lens), and in which an object appears relatively large and in detail.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/44","rdfs:label":"Color Film","rdfs:comment":"Color film has been a possibility since the beginning of cinema. Technical problems and economic circumstances early on meant that it was not until the 1950s that color was viable in the film industry.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/45","rdfs:label":"Crane Shot","rdfs:comment":"A crane shot is achieved by a camera mounted on a platform, which is connected to a mechanical arm that can lift the platform up, bring it down, or move it laterally across space.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/57","rdfs:label":"Day for Night","rdfs:comment":"Day for night refers to the creation of a night effect while shooting during the day, through the manipulation of filters, underexposure, or printing.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/58","rdfs:label":"Deep Focus","rdfs:comment":"Deep focus is a style or technique of cinematography and staging with great depth of field, using relatively wide-angle lenses and small lens apertures to render in sharp focus near and distant planes simultaneously.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/59","rdfs:label":"Depth of Field","rdfs:comment":"Depth of field is the area, range of distance, or field (between the nearest and farthest planes) in which the elements captured in a camera image appear in sharp focus.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/60","rdfs:label":"Dialogue","rdfs:comment":"Dialogue is speech delivered by or between characters.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/61","rdfs:label":"Diegesis","rdfs:comment":"From the ancient Greek for \"recounted story,\" diegesis is a term used in film studies to refer to the story (or narrative) world of a film.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/62","rdfs:label":"Diegetic Sound","rdfs:comment":"Diegetic sound is any sound that emanates from the story (or narrative) world of a film, which is referred to in film studies as diegesis.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/63","rdfs:label":"Dissolve","rdfs:comment":"A dissolve is a transitional device in which one scene fades out while the next scene fades in, resulting in some overlap between the two scenes.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/64","rdfs:label":"Dolly (Dolly Shot)","rdfs:comment":"A dolly is a mobile platform on wheels with a camera, which can be driven or pushed by a dolly pusher or dolly grip.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/65","rdfs:label":"Double (Multiple) Exposure","rdfs:comment":"Double exposure is the superimposition of two images, one over the other, which results from exposing the same film twice.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/66","rdfs:label":"Editing","rdfs:comment":"Editing is the process of putting a film together--the selection and arrangement of shots and scenes.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/67","rdfs:label":"Establishing Shot","rdfs:comment":"An establishing shot is a long shot at the start of a scene (or sequence) that shows things from a distance.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/68","rdfs:label":"Exposure","rdfs:comment":"Exposure is the act of making film available to light so that an image is formed in the emulsion.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/69","rdfs:label":"Eye-Line Match","rdfs:comment":"Eye-line match is a method of continuity editing whereby a cut between two shots creates the illusion of the character (in the first shot) looking at an object (in the second shot).","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/70","rdfs:label":"Fade","rdfs:comment":"The fade is a means of gradually beginning or ending a scene, and is achieved in the camera by opening or closing the aperture; in an optical printer, this is achieved when the exposure light is increased or decreased.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/71","rdfs:label":"Fisheye Lens","rdfs:comment":"A fisheye lens is a wide-angle lens that takes in a nearly 180-degree field of view.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/72","rdfs:label":"Frames-per-Second","rdfs:comment":"Frames-per-second is the rate at which film is exposed in a camera.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/73","rdfs:label":"Freeze-Frame","rdfs:comment":"Freeze-frame is achieved when a single frame is repeatedly printed on a duplicate copy of the film.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/74","rdfs:label":"Handheld Shot","rdfs:comment":"A handheld shot is one in which the cameraman or -woman holds the camera and moves through space while filming.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/75","rdfs:label":"High-Angle Shot","rdfs:comment":"High-angle shot refers to when the camera is placed above eye level, looking down at the subject.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/76","rdfs:label":"Iris Shot","rdfs:comment":"The iris shot is a shot masked in a circular form.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/77","rdfs:label":"Jump Cut","rdfs:comment":"A jump cut is an editing technique in which some frames are taken out of a sequence.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/78","rdfs:label":"Lighting","rdfs:comment":"Lighting is responsible for the quality of a film's images and often a film's dramatic effect.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/79","rdfs:label":"Long Shot","rdfs:comment":"A long shot shows characters in their entirety, as well as some of the surrounding environment.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/80","rdfs:label":"Long Take","rdfs:comment":"The long take is a shot of some duration.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/81","rdfs:label":"Low-Angle Shot","rdfs:comment":"A low-angle shot is achieved when the camera is placed below eye level.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/82","rdfs:label":"Medium Shot","rdfs:comment":"A medium shot is one that can include several characters in a frame, usually showing a character from the waist up.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/83","rdfs:label":"Mise-en-sc\u00e8ne","rdfs:comment":"Mise-en-sc\u00e8ne originated in the theater and is used in film to refer to everything that goes into the composition of a shot--framing, movement of the camera and characters, lighting, set design and the visual environment, and sound.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/84","rdfs:label":"Montage","rdfs:comment":"At the core of montage ss the idea that a single shot has meaning only in relation to another shot.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/85","rdfs:label":"Non-Diegetic Sound","rdfs:comment":"Non-diegetic sound is sound whose origin is from outside the story world.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/86","rdfs:label":"Pan Shot","rdfs:comment":"A pan shot is achieved with a camera mounted on a swivel head so that the camera body can turn from a fixed position.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/87","rdfs:label":"Parallel Editing","rdfs:comment":"Parallel editing is a technique whereby cutting occurs between two or more related actions occurring at the same time in two separate locations or different points in time.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/88","rdfs:label":"Point of View","rdfs:comment":"With POV, the audience is, in effect, looking through the character's eye.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/89","rdfs:label":"Rear Projection","rdfs:comment":"Rear projection involves the projection of either a still or a moving picture onto the back of a translucent screen.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/90","rdfs:label":"Shot, Scene, and Sequence","rdfs:comment":"A shot consists of a single take. A scene is composed of several shots. A sequence is composed of scenes.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/91","rdfs:label":"Slow Motion","rdfs:comment":"Slow motion is typically achieved by shooting at a fast speed and then projecting at a normal speed.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/92","rdfs:label":"Sound","rdfs:comment":"Sound is the audio portion of a film.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/93","rdfs:label":"Soundtrack","rdfs:comment":"Soundtrack refers to all the audio elements of a film--dialogue, music, sound effects, etc.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/94","rdfs:label":"Split Screen","rdfs:comment":"Split screen is the combination of two or more scenes films separately which appear in the same frame.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/95","rdfs:label":"Steadicam Shot","rdfs:comment":"A Steadicam shot employs a kind of special hydraulic harness that smoothes out the bumps and jerkiness associated with the typical handheld style.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/96","rdfs:label":"Superimposition","rdfs:comment":"Superimposition is when two or more image are placed over each other in the frame.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/97","rdfs:label":"Swish Pan","rdfs:comment":"A swish pan looks like a blur as one scene changes to another--the camera appears to be moving rapidly from right to left or left to right.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/98","rdfs:label":"Take","rdfs:comment":"A take is one run of the camera, recording a single shot.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/99","rdfs:label":"Tracking (Trucking) Shot","rdfs:comment":"A tracking, or trucking, shot is one in which a camera is mounted on some kind of conveyance (car, ship, airplane, etc.) and films while moving through space.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/100","rdfs:label":"Virtual Camera Movement","rdfs:comment":"Virtual camera movement refers to the creation of the perceptual sense of movement through space by the manipulation of focal length or by more irregular techniques.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/101","rdfs:label":"Voice-Over","rdfs:comment":"Voice-over is dialogue, usually narration, that comes from an unseen, offscreen voice, character, or narrator.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/102","rdfs:label":"Wide-Angle Lens","rdfs:comment":"A wide-angle lens has a short focal length, increasing the depth of field for a shot and thereby keeping in focus both the foreground and the background.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/103","rdfs:label":"Wide-Angle Shot","rdfs:comment":"A shot with a greater horizontal plane of action and greater depth of field is known as a wide-angle shot.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/104","rdfs:label":"Wipe","rdfs:comment":"Wipes allow one scene to effectively erase the previous scene and replace it.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"},{"rdfs:about":"onomy.dartmouth.edu\/published\/90\/term\/105","rdfs:label":"Zoom Shot","rdfs:comment":"A zoom shot is one that permits the cinematographer to change the distance between the camera and the object being filmed without actually moving the camera.","rdfs:subClassOf":"","rdfs:parentLabel":"","rdfs:isDefinedBy":"onomy.dartmouth.edu\/published90","rdfs:seeAlso":"","dc:contributor":"onomy.dartmouth.edu\/users\/1"}],"users":[{"foaf:name":"John 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